Vaughn McMillan
WR Addict
   
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Does this nose make me look fat?
Posts: 3794
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Before I did any shows, I went to a few and talked to various vendors (not just woodworkers) to get tips and tricks from them. I asked what to do, what NOT to do, and was open to any other suggestions.
The next step was to scout around my local area (mostly on the Web) and find some shows that I thought would be a good match for my work. (I was looking more for "art" shows instead of "craft" shows, but it's really up to you do decide what market you'd like to target.)
After I decided on what show I wanted to do, I applied to be a vendor. It was a juried show (as have been all the shows I've done), and they wanted photos of my work (which I already had) and photos of my booth setup (which I didn't have). They also required a copy of my business license/sales tax certificate. So before I could go any farther with the application, I had to get my business license, then buy a canopy (Caravan and Easy-Up are the two big names...don't go for something cheap), a sign, tables, table covers, and any other display items. Then I set the whole thing up in the back yard, filled the tables with turned pieces, and took some photos. Once I had all the required stuff put together, I mailed it all in to the show promoter (the owner of the del Mano Gallery, in this case) and waited a week or so to find out if I was accepted. I did get accepted to that first show, and every other show I applied for in the following years.
I've not done any shows for two or three years now. The economic situation around Los Angeles made it tough to make any profit, and I found I was making more money selling piece by word-of-mouth than I was when I was paying $300 to $400 entry fees for a weekend show, and feeling good if I sold $500 worth of pieces. On the other hand, I know other turners who have had good success in smaller markets.
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