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Since
his early years, Bill has had a keen interest in creative
expression. He has pursued that interest in many mediums,
including silver jewelry and metal sculpture, but mainly
in wood. His first encounter with woodturning was in Junior
High wood shop, where a few bowls were turned using terrible
tools with no instruction. However, this woodturning experience
intrigued him and in 1989, a latent interest in woodturning
was rekindled after he bought an old secondhand Dunlap
lathe from a friend. Since that time, Bill has become
an avid and active woodturner. He feels challenged in
a new and exciting way by the artistic and technical avenues
into which this medium has expanded. Artistic expression
in turned wood has exploded in the last 25 years, and
Bill is enthusiastically a part of this creative direction.
Living
in the greater Los Angeles metropolitan area, Bill has
the opportunity to belong to and attend several woodturning
organizations. He was the newsletter editor for two of
those organizations for 6 years, and subsequently he became
the president of the very active and sizeable Glendale
Woodturners Guild. In the summer of 2003, Bill was
largely responsible for installing the AAW "Put
A Lid On It" exhibition at the Brand Gallery,
along with the Glendale Woodturners "Trees To Treasures"
show.
Mentoring
numerous turners in his workshop, demonstrating woodturning
techniques to various chapters and other venues, and exhibiting
at local art shows and in several galleries are some of
the woodturning activities in which Bill has been involved.
Recently, the Home & Garden Channel (HGTV) filmed
him on the lathe and also performing the biomorphic piercing
work he incorporates into some of his pieces.
Natural
elements found in timber (some might say imperfections)
are often used to advantage by Bill in his work. Such
features as bark inclusions, unusual figure, distressed
areas, spalting (which is the initial stage of decomposition),
natural edges, and sapwood/heartwood color contrast are
often employed to achieve striking and unusual character
in a way that works with the form.
In
his turning, Bill seeks to explore form composition in
turned objects, often with woods that offer rich figure,
color, and unusual character. While finished wood is a
warm, sensuous, inviting, and tactile material, creating
a beautiful form in each piece is primary. His ultimate
goal is to create an appealing shape that is complementary
with the distinctive quality of the wood used in each
one-of-a-kind piece.
More
recently, Bill has used carved and/or pierced designs
to enhance his pieces after the lathe work is done. In
most of these cases, a less dramatic wood is used to minimize
competition between the natural character of the wood
and the carved/pierced design. Examples of his carved
and pierced work can be found in his vessels with tuxedo
and seed pod openings, as well as in his coral series
and flame tongue carved vessels.
Each
log or block of wood that is put on the lathe becomes
an adventure in discovering the inherent nature, characteristics,
and beauty of the wood, but an even greater adventure
for Bill is the process of creating an appealing and unique
form. He hopes and strives for continued growth in that
discovery process and the creation of distinctively attractive
pieces.
More
of Bill's work can be viewed at his website: http://www.homestead.com/bhask
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