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I was born in 1969 and grew up in a rural Creole community called Frilot Cove near Opelousas , Louisiana . It’s the type of community where everyone worked together to accomplish various tasks. We had local mechanics, welders, plumbers, farmers, and carpenters, just to name a few of the crafts. 
As a kid, I usually assisted my father, grandfathers, and uncles with carpentry projects.  There I was at the age of 6 on construction sites gathering small lumber cutoffs and assembling them in various ways.  Little did I know at that time my love of working with wood was being incubated.  Through the years, school projects and gift items usually involved some form of wood working.

Later in life, I moved to Baton Rouge , earned college degrees, got married, and settled into a home with a large workshop in the backyard.  With all the new changes in my life, my woodworking hobbies had gotten pushed to the side.  I worked many jobs in the medical field as a therapist and in 1995 was laid off a job due to corporate downsizing.  Between jobs, I returned to my woodworking hobby for comfort and peace of mind.  At that time I had just the basic equipment, until my wife bought me a scroll saw to add to my collection.  I began collecting other pieces of equipment including a table saw, a router, and a floor demo Craftsman wood lathe.  It was a super deal, but I really had no inclination to ever turn wood. It sat on the floor of my shop collecting dust for almost a year until I decided to mount it on a table and give it a try.  From then on, I have been hooked on turning.  I had finally found my destiny.

I have pursued most areas of woodworking, including carving, scroll sawing, marquetry, intarsia, and furniture design, construction and restoration.  None have been more satisfying than wood turning. I quickly began honing my skills with spindle turning, followed by pens and other kit items, which proved to be very lucrative through sales at local craft fairs.  I then moved toward peppermills, clock houses, vases, platters, and bowls. My designs reflect an appreciation of the diverse textures and colors that may be found naturally in nature's design studio. I tend to shy away from using stains and dyes to achieve color scenarios.  Thus, I have collected over 100 different types of wood from around the world and use them in harmony to achieve different effects. Until March 2007, all of my turnings were done on that same Craftsman lathe.  I really found out what woodturning was all about after purchasing the Powermatic 3520B which quickly opened up many new possibilities. 

Also in 2007, I found the Woodturner’s Resource website and have been an active participant ever since.  WR has been very instrumental in making me and this hobby complete through conversations with people from around the world who share the same interests and desires as I do. It is also a very helpful place to visit when I have problem solving and design obstacles, and I thank WR for being there for me.  I have met many great people here and am sure to meet several more in the near future.  Viva WR!

I’ve been turning for 12 years now, still essentially self-taught, and I still get excited when I sling wood curls half way across the shop.  I am still intrigued every time I cut into a block of wood, especially those with lots of figure.  I have learned that the “art” lies in the natural grain patterns that are unique to each species, as fingerprints are to people.  I truly think of this craft as encouraging the wood to express itself and think of myself as a wood therapist. I love to make functional pieces that stimulate the senses and are a pleasure to use. 

Currently, I am exploring hollow forms, boxes, and large bowls.  My desire is to create more intricate pieces using my combined skills of design, turning, carving, and finishing.  I am a member of Acadiana Woodturner’s Club and the American Association of Woodturners.

I still live in Baton Rouge with my wife, Donna, and 2 sons, Leo III and Julian. 

To view more examples of my work, please visit my website at: www.perfectwoodworks.com

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Chess Table
20” x 20”, each square 2” x 2”
Pieces - Maple and Padauk
Squares - Mahogany and Maple
Box - Padauk, Quartersawn Sycamore, Mahogany

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Big Leaf Maple Burl
18” x 2.5”, Inner bowl friction polished, 
outer edge finished with BLO.

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Antique Magnifier Amboyna Burl
Handle 5.25” long, Overall length ~9.5”

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Ebony_Blood_Brass Pen
Designer style using Ebony, Bloodwood, and brass inlays.  Sanded to 12000 grit

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Box Elder Calabash
8” x 3”, Friction polished

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Box Elder Combo with Candle
6” x 2”, shown with the oil candle insert

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Box Elder Combo with Flower
6” x 2”, shown with the vase insert

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Candlestick Concentricity
Title: Concentricity 
4” x 12”, Bloodwood, Canarywood, and Mahogany

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Golden Amboyna Compote
Dish - Golden Amboyna Burl  11” wide
Pedestal - Birdseye maple  6” tall

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Myrtlewood Bowl
Oregon Myrtlewood  8” x 2.5”

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Peppermill Group
6” Set - Oregon Myrtlewood
10” Black Cherry Burl, Bastogne Walnut, Tulip Poplar, Box Elder, and Ebony/Pomelle Sapele.

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Red Mallee Compote
8” wide and 6.5” tall, inner bowl friction polished, outer edge finished with BLO.
 

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Snakewood Desk Pen
Pen - Snakewood
Base - Snakewood and Goncalo Alves

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Spalted Pecan Bowl
12” x 3"