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Having
a cabinetmaker Grandfather might explain my desire to
take up some form of working with wood. So too might the
life long interest in trees. I was very young when I collected
the Brooke Bond picture cards "Trees in Britain"
I still have a treasured but rather tired and dog-eared
collection. These cards were to be found in packets of
tea my Grandparents bought. Oh the excitement of visiting
them to see if more packets of tea would reveal those
hidden treasures.
Of
course a trip to my Grandparents could also mean that
I might be allowed into the workshop. My over-riding memory
of the place is the smell; that absolutely gorgeous aroma
of a 'proper' workshop. I now know that smell was probably
more to do with damp and dust but nowadays no workshop
is a real workshop unless it has 'that smell'.
However,
it was my eldest brother who had the privilege of spending
Saturdays with Granddad, no thoughts of gals in the wood
shop then!
It
wasn't until I was
. well much older than when I
was born
. that I decided to do something about
my desire to work with wood. During years living in New
Zealand in the mid-1990s, I enrolled on a woodworking
evening course. I found a lonesome lathe, had a play,
and that was that. Life hasn't been the same since!
Curious
this addiction, as it was a rather inauspicious start.
It was an under- resourced college. Few turning tools
and the inevitable hunt for a drive centre or the faceplate,
then for some screws for the faceplate etc.etc. The tutor
would take away the gouge to another room to sharpen it!
So for a 2hr lesson each week, 30mins was spent hunter-gathering
and 30mins was spent watching the other two people on
the lathe. That left 15mins waiting for the tool to be
sharpened, 15mins spent tidying at the end of the session
and 15mins for me to turn. What happened to the other
15mins? You don't think we started on time do you!
Despite all of that frustration something wormed its way
into my brain cell and I just knew that I had to do more
turning! So it wasn't long after that course that I bought
a second-hand Nova 1500 lathe. A second-hand Nova chuck,
a cheap parting tool and a new bowl gouge were bought
on the same day. I could not believe I was spending so
much money on a hobby! Neither could my husband, poor
boy. Up until that time we possessed only a hammer, spanner
and a few cheap and cheerful chisels.
With
little means of converting timber for the lathe, a bow
saw, soon became my best friend. That and a lathe with
a bottom speed of 178rpm and a 1hp motor made it possible
to mount some hairy, scary pieces of timber. Even now
my toes curl at the memory of some of the logs I mounted
on that lathe. I only ever broke one window though! I'm
proud to say that I have cracked more windows with cricket
balls than with logs! As hard and as time consuming as
it appeared to be, I think that this use of logs and rough
lumps rather that ready-made blanks has given me invaluable
experience and a sound basis for 'finding' shapes. It
is amazing what one can discover simply by roughing down
a log or two!
Another
great help to me was my time at the West Auckland Woodturners
Guild. This was a fun and knowledgeable group and I learned
heaps.
On returning to the UK in 1998 with my trusty lathe (and
my wonderful husband and gorgeous daughter) I continued
with my addiction trying to develop skills, using every
opportunity to practice and to learn from others. I joined
Avon & Bristol Woodturners (affiliated to the Association
of Woodturners of GB) and the Gloucestershire Association
of Woodturners.
All
this club membership makes me sound a gregarious sort,
which could not be further from the truth. However, acknowledging
my lack of basic woodworking skill, no understanding of
metals and tools meant that I needed to brave the big
wide world and seek out new life and go boldly where this
dumb blonde hadn't been before. The awful truth of the
matter was that I couldn't get enough woodturning. Through
my various club and association memberships, I have met
some wonderful people, many skilled turners and some very
knowledgeable characters.
My
enthusiasm has led me to enter competitions from which
I have received encouragement and enjoyed a little success.
A big woodturning landmark for me came in April of this
year when I was awarded a bursary from the Worshipful
Company of Turners. With this bursary I purchased a Vicmarc
300 shortbed lathe and chucks. This lathe has been an
absolute revelation.
Another
major turning event for me was a recent trip to Derbyshire
to the workshop of Allan Batty. Here I spent a week trying
to soak up some of his knowledge and skill but a week
is just a spit in the ocean. I am still staggered at the
man's skill and history.
I
now have some of my work displayed at three galleries
and my husband produced a website for me from which eventually
I hope to sell more work. I undertake some demonstrating
which I rather enjoy - I get to chat to woodturners! However,
I am seldom happier than when I am in my workshop with
my lathe, ogling a few logs wondering what treasures they
contain.
A
selection of my work can be viewed at:www.julieheryet-woodturner.co.uk
The
Connoisseur's Gallery, 2, Chipping Court Shopping Mall
Tetbury, Gloucestershire.
www.connoisseurs-gallery.co.uk
Dansel
Gallery Rodden Row, Abbotsbury Weymouth, Dorset
www.danselgallery.co.uk
Isle
Gallery, Courtyard ,Unit 4, Tynwald Mills, St. Johns,
Isle of Man
www.avon-and-bristol-woodturners.org.uk
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